Polychrome Sculpture in Iberia and the Americas, 1200-1800

American Society for Hispanic Art Historical Studies

Time: 02/06/2016, 9:30 AM—12:00 PM
Location: Virginia Suite, Lobby Level

Chair: Ilenia Colón Mendoza, School of Visual Arts & Design, University of Central Florida

More than Wood: Sculpture and the Inquisition in Early Seventeenth-Century New Spain
Brett Lazer, New York University

Visualizing the Paragone in Francisco de Zurbarán’s Crucifixion with a Painter
Lisandra Estevez, Winston-Salem State University

No Human Brushes Could Have Imitated It
Pablo F. Amador Marrero, Insituto de Investigaciones Esteticas-U. Autonoma de Mexico; Patricia Diaz Cayeros, Instituto de Investigaciones Esteticas-U. Autonoma de Mexico

The Sevillian Misterios of Luis Antonio de los Arcos and Luisa Roldán: Moving Theatres
Cathy Hall-van den Elsen, Independent Scholar

Ut Sculptura Poesis: The Virgen de los Remedios as Image in Literary Sources from Francisco de Florencia in the 17th Century to Carrillo y Perez in the 18th Century.
Luis Javier Cuesta Hernandez, Universidad Iberoamericana, Mexico