CAA Sessions of Potential Interest for Members

Featured below are several sessions that may be of interest to our membership. If you know of any individual papers to include in the list below, please send me an email! (

Best wishes for a fabulous conference!

Wednesday, 2/21/18


“LA/LX: Queer and Latinx in Los Angeles” (Queer Caucus for Art QCA) Room 403B


“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions” Room 403B

Thursday, 2/22/18


“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part I” Room 403B


“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II” Room 403B


Association for Latin American Art Business Meeting (ALAA) Room 402B


“Imperial Islands: Vision and Experience in the American Empire after 1898 “ Room 506

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage” Room 409B


“Permanence/Impermanence: Materiality in the Precolumbian World” Room 409B


“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday, 2/23/18


American Society for Hispanic Art Historical Studies Meeting (ASHAHS) Room 405

US Latinx Art Forum Meeting (USLAF) Room 406A


“Place and Agency in Ancient American Murals and Monuments, Part I” Room 402B


“Place and Agency in Ancient American Murals and Monuments, Part II” Room 402B

Saturday, 2/24/18


“Politics and Power in the Americas: Transhistorical Perspectives” Room 405


“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS) Room 405


“Chican@ Art History: Interdisciplinary Foundations and New Directions” (US Latinx Art Forum USLAF) Room 404B

Sunday, 2/25/18


Mesoamerica in Midcentury California: Revivals and Reinvention, in conjunction with the exhibition “Found in Translation: Design in California and Mexico, 1915-1985”Los Angeles County Museum of Art, Brown Auditorium 5905 Wilshire Boulevard, Los Angeles, CA 90036

ALAA PST Tour Schedule

November 16-19, 2017

Thursday, November 16
Arrival to Los Angeles (see list of hotels near LACMA and the Getty)

Friday, November 17

Los Angeles County Museum of Art
9:45 Meet at LACMA staff entrance on Wilshire
10-12:00 Exhibition Tours:
Painted in Mexico: Pinxit Mexici, 1700-1790 (Resnick Pavillion)
Found in Translation: Design in California and Mexico, 1915-1985 (Resnick Pavillion)

12-1:30 Lunch (on your own)

1:30-2:30 Exhibition Tours:
A Universal History of Infamy (BCAM, Level 2)
Playing with Fire: Paintings by Carlos Almaraz (BCAM, Level 2)

3:00-5:00 Free Time:
Visit other galleries at LACMA
Visit Craft and Folk Art Museum, 5814 Wilshire Blvd. (The US-Mexico Border: Place, Imagination, and Possiblity)
Visit Petersen Automotive Museum, 6060 Wilshire Blvd (The High Art of Riding Low)

5:00-6:30 Keynote Lecture, Chon Noriega (UCLA), Brown Auditorium, LACMA 6:30-9:00 Reception, Japanese Pavillion

Saturday, November 18

J. Paul Getty Museum
9:15 Arrival via South Gate, park Top of Hill, check in with security on L2 Visitor Services will direct participants to the Private Dining Room 9:30-10:00 Coffee and Snacks in PDR

10:00-11:00 Exhibition Tours:
Golden Kingdoms: Luxury and Legacy in the Ancient Americas (Museum, Exhibition Pavillion)
Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros (Museum, West Pavillion, Plaza Level)
The Metropolis in Latin America: 1830-1930 (Getty Research Institute, Plaza Level)

Charlene Villaseñor Black Elisa Mandell

11:00-12:00 Exhibition Tours:
Golden Kingdoms: Luxury and Legacy in the Ancient Americas Americas (Museum, Exhibition Pavillion)
Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros (Museum, West Pavillion, Plaza Level)
The Metropolis in Latin America: 1830-1930 (Getty Research Institute, Plaza Level)

12:00-1:30 Lunch (on your own)

1:30-2:30 Exhibition Tours:

Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros (Museum, West Pavillion, Plaza Level)
Photography in Argentina, 1850-2010: Contradiction and Continuity (Museum, West Pavillion, L2 Terrace Level)

The Metropolis in Latin America: 1830-1930 (Getty Research Institute, Plaza Level)

2:30 Free Time:
Visit other galleries at the Getty
Visit Skirball Cultural Center, 2701 N. Sepulveda Blvd. (Ken Gonzales-Day – Surface Tension: Murals, Signs, and Mark-Making in LA; Another Promised Land: Anita Brenner’s Mexico)
Visit The Hammer Museum, 10899 Wilshire Blvd. (Radical Women: Latin American Art, 1960-1985)

Optional Evening Meet Ups (on your own): Recommended: Olvera Street or Little Tokyo

Sunday, November 19


List of Hotels
Wilshire Crest Hotel
6301 Orange St., Los Angeles, CA 90048 Tel. (323) 936-5131
.4 mil from LACMA

Park Plaza Lodge Hotel
6001 W 3rd St., Los Angeles CA 90036 .7 miles from LACMA

Beverly Laurel Motor Hotel

8018 Beverly Blvd., Los Angeles, CA 90048 .9 miles from LACMA

The Orlando Hotel
8384 W. 3rd Street, Los Angeles, CA 90048 Tel. (323) 658-6600

Farmer’s Daughter Hotel
115 S. Fairfax Ave., Los Angeles, CA 90036 Tel. (323) 937-3930

Kimpton Hotel Wilshire
6317 Wilshire Blvd., Los Angeles, CA 90048 Tel. (323) 852-6000

Near the Getty:
Hilgard House, 927 Hilgard Ave, Los Angeles, CA 90024 4.3 miles fromo the Getty

Hotel Angeleno
170 N. Church Lane, Los Angeles, CA 90049 1.3 miles from the Getty

Luxe Sunset Boulevard Hotel, 11461 Sunset Blvd., Los Angeles, CA 90049 2.4 miles from the Getty

Dining Guide to Pacific Standard Time: LA/LA: Latin American Restaurants (a short list)

Linda Nochlin (1931-2017)

The ALAA board would like to acknowledge the passing of Linda Nochlin, an art historian who did not focus directly on Latin American art, but whose work on women artists changed the field in ways that allowed new stories centered on issues of gender and race to be told. We honor the foundation she laid and mourn the loss of her inspiration and her humor.

For a New York Times article on Nochlin’s life and contributions to the field, click here.

Jacqueline Barnitz (1924-2017)

With sadness, we acknowledge the passing of Jacqueline Barnitz, an esteemed colleague in the area of modern and contemporary Latin American art history. If you would like to make a contribution to her memory, please see the recommendations below in her obituary.


Jacqueline Barnitz (1924–2017)
Jacqueline Barnitz, an internationally known scholar of Latin American art and University of Texas Professor Emerita, died Saturday morning, October 28, at age 93. She was close friend to artists from across Latin America and the first to comprehensively chart the history of modern and contemporary art from the region. An exceptionally skillful researcher and writer, she is perhaps best remembered by her colleagues and former students for her passion for teaching and her talent for guiding students in critical studies to strengthen the field of Latin American art history.  Her students adored her for the sprightly lectures she gave, peppered with anecdotes about her travels in South America, for her shrewd observations in conversation and in editing papers, and for her witty and at times dark sense of humor. Jacqueline was devoted to her students and dedicated her textbook to them.
Born in Geneva, Jacqueline Essery Korkegi spent her childhood in various parts of Switzerland and Italy. From ages ten to seventeen, she and her family lived in Brussels. In 1941, a family vacation to Southern France suddenly turned into an escape from German occupation.  She and her family eventually found passage by ship to the United States and they resettled in New York. “It was a culture shock,” she commented. Trained as a portrait painter, she eventually abandoned portraiture in favor of experiments with abstract expressionism, to the consternation of her father, a rather straight-laced businessman.  She was briefly married to Walter Downing Barnitz and kept the name for professional reasons after their separation.
In New York, she continually sought out the company of artists, poets, and intellectuals and became interested in Latin America when she noted that many artists from the region had moved to the city, often staying after receiving fellowships. In 1962, a trip to Buenos Aires exposed her to its dynamic artistic scene. Determined to give Latin America further study and visibility, she began writing for art journals, providing specialized reporting through articles, interviews, and reviews for Arts Magazine and other publications.  She befriended many Latin American artists living in New York in the 1960s and 1970s, particularly those escaping political unrest of their home countries, such as Brazilian artists Rubens Gerchman and Hélio Oiticica.  She began teaching art history courses about Latin American art at the State University of New York at Stony Brook in 1969 and subsequently decided to pursue a graduate degree in the subject. At CUNY Graduate Center, she first conceived of writing a survey text of Latin American art, but, encouraged to narrow her focus, she wrote her doctoral thesis on the Argentinean avant-garde publication Martin Fierro.
In 1981, she joined the art history faculty of the University of Texas at Austin where she taught until her retirement in 2007. Through that appointment, she became the first to hold a tenure-track university position dedicated to the subject of modern Latin American art. Her research—the result of her traveling systematically through South America and Mexico since the 1960s—is collected as Twentieth-Century Art of Latin America, first published in 2001, then expanded and revised in 2015 in collaboration with Patrick Frank.  Perceptive and engaging, her survey textbook continues to be used in most universities where Latin American art history is taught. During her career at UT, she advised more than thirty M.A. and fifteen Ph.D. students. The field of modern Latin American art is populated by her former students, who hold tenured positions and curatorships as well as work as independent researchers in the US and internationally. During her tenure as professor, she also assembled a collection of over 4,700 photographic slides of Latin American art. In 2013, she collaborated with ARTSTOR to digitize them with the aims of forming a teaching collection accessible worldwide.
Jacqueline did not want a funeral or any kind of conventional memorial service; accordingly, her colleagues and former students are planning an academic event to honor her.  Her former students also are compiling written and short video remembrances from colleagues, friends, and students to share and to archive. If you wish to contribute, please write to At the University of Texas at Austin, donations are being collected for the Jacqueline Barnitz Graduate Endowment in Art History, Department of Art and Art History, College of Fine Arts, to support student research in the field of Latin American art. To contribute, please mail to Sondra Lomax, College of Fine Arts, UT-Austin, 2305 Trinity Street, D1400, Austin, TX, 78712.
– Written by Michael Wellen, Jacqueline’s former student

Pacific Standard Times: LA/LA, Overview

Over the course of the next few months, numerous exhibitions and galleries will be participating in the Pacific Standard Times in Los Angeles, California: LA/LA initiative. Click here to find an introductory description of the LA/LA collaboration from and here to watch a video including imagery from the shows and the museums that house them. Enjoy!

And don’t forget to register by October 16th for the ALAA-sponsored tour of LA/LA! Registration is now OPEN – click here!


ALAA Graduate Student Travel Award

We are pleased to announce the annual ALAA Graduate Student Travel Award. The award, generously funded by former ALAA president Patricia Sarro, will provide $500 toward expenses related to attending the College Art Association Annual Conference (Feb. 21-24, 2018), ALAA business meeting, and ALAA sponsored sessions. Funds may be put towards hotel costs, registration, or airfare/ground travel. The awardee need not be presenting (although presenters are encouraged to apply), but should demonstrate a specific need to attend sessions or visit archives in the conference city. To apply, please send a letter of interest, including your current research area, name of your university, program, advisor, and specific purpose for attending to the conference by email to Michele Greet ( by October 31, 2017. The awardee will be selected by the executive committee and will be notified of his/her acceptance by November 15, 2017. Funds will be paid upon receipt of the award, but awardee must submit receipts to ALAA verifying that funds have gone toward conference expenses (within 2 weeks of returning from the conference). The awardee is also expected attend the ALAA business meeting at the conference where he/she will be recognized as an award recipient. The awardee will also receive one year of complimentary ALAA membership.

Save-the-date: ALAA-sponsored tours of Pacific Standard Time: LA/LA exhibitions and related events to take place in Los Angeles, November 17 & 18!

Registration is now OPEN – click here!

Registration deadline: October 16, 2017.


At LACMA we will have curator-led tours of:

There’s something for everyone!


For more general information on exhibitions that are part of PST: LA/LA, please visit:

Cristobal de Villalpando at the Metropolitan Museum of Art

If your late summer or early fall travels take you to New York City, stop by the Met to see an exhibit on the Mexican artist, Cristobal de Villalpando (1649-1714).  The show runs from July 25th through October 15th.  For more information, visit

Pictured above: Cristóbal de Villalpando, Moses and the Brazen Serpent and the Transfiguration of Jesus (detail), 1683; oil on Canvas. Col. Propiedad de la Nación Mexicana, Secretaría de Cultura, Dirección General de Sitios y Monumentos del Patrimonio Cultural Acervo de la Catedral de Nuestra Señora de la Inmaculada Concepción, Puebla, Mexico.

17th Annual Avery Book Award

Congratulations to our 2017 Avery Book Award winners!

Please see our “Awards” link in the left bar and select “Book Award” to see the guidelines for the 2018 competition.

2017 Book Award Winners


17th Annual Arvey Book Award

George Flaherty, Hotel Mexico: Dwelling on the ‘68 Movement (University of California Press, 2015). ISBN 9780520291072.



Honorable Mention

Alessandra Russo, Gerhard Wolf, and Diana Fane, eds., Images Take Flight: Feather Art in Mexico and Europe 1400-1700 (Kunsthistorisches Institut-Max-Planck Institut and the Museo Nacional de Arte, 2015). ISBN 978-3777420639.